Is Math Racist?

Some people say math is racist. So I looked through the history of mathematics only to find the shocking truth about math. How is math related to the type of society that uses it? How many different types of math are even out there? Can math be racist?

Special thanks to Dr. Peter Steeves of Depaul University for teaching a class on this subject.

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Sense & Reference: Fictional Names

How do we understand the sense & reference of fictional objects? What objects do their names refer to, and what type of reality do they have?

We continue the Frege/Russell debate in linguistics by looking at the fictional work of science-fiction author Philip Jose Farmer.

Bertrand Russell voiced by Alexander Moneypenny.

Music sampled from Zoë Blade.

Artwork of Chibiabos Elgreco Winnegan by Crissha.s.art.

Works Cited:
Frege, Gottlob. “On Sense and Nominatum (1892).” The Philosophy of Language, edited by Aloysius Martinich, 2nd ed., Oxford University Press, 1990, pp. 190–202.

Russell, Bertrand. “On Denoting (1905).” The Philosophy of Language, edited by Aloysius Martinich, 2nd ed., Oxford University Press, 1990, pp. 203–211.

Russell, Bertrand. “Descriptions (1919).” The Philosophy of Language, edited by Aloysius Martinich, 2nd ed., Oxford University Press, 1990, pp. 212–218.

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Chibiabos Elgreco Winnegan

I present to you the first known artist rendering of Chibiabos Elgreco Winnegan, the protagonist of the Novella Riders of the Purple Wage, written by Philip Jose Farmer.

Commissioned by Zach Gittrich 2021 in the year of our Lord.

Drawn by Crissha.s.art.

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Saturno Devorando a Su Hijo (Saturn Devours His Son)

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Painted by Francisco José de Goya y Lucientes between 1819–1823. Check out how this beautiful painting relates to mythology, temporality, & ontology.

Also, check out Overly Sarcastic Productions (OSP). The sarcasm from this video inspired me when I made the Mythology section of the video.

Works Cited:
Deleuze, Gilles. Difference and Repetition. Translated by Paul Patton, Columbia University Press, 1994. Page 29.

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